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by Dr Sanjib Kumar Borkakoti


The Thân or Sattrainstitution is a living heritage bequeathed to the posterity by Srimanta Sankaradeva (1449 AD - 1568 AD). Unlike most heritages, which are long dead, the Thân or Sattrainstitution continues to be a vibrant one. Earlier, it was known only as Thân. Later on the name Sattra also came to be used. The religious order Eka Sarana Nâma Dharma of Srimanta Sankaradeva sustained itself for more than five centuries on the strength of the Thân or Sattra. ... more


by Dr Sanjib Kumar Borkakoti


Srimanta Sankaradeva (1449-1568), the founder of the Vaishnavite order Eka Sarana Nāma Dharmawas a multi-faceted person whose works had different dimensions. In spite of being a religious preceptor, he included aesthetic activities like Sattriyādance, Bargeetsong, Sankari music, Ankiyāplays, painting and sculpture in his scheme of things. Needless to say, all these were his own compositions. Even mundane activities like agricultural production found place in this pattern. Obviously he was a man of the world as well as man for the world. He wanted to make life good and beautiful for people around him. Therein lay his aesthetic approach to life. One who finds beauty in life cares for the quality of other peoples’ lives. Srimanta Sankaradeva did that. He cared for the quality of life for people around him.... more

by Dr Sanjib Kumar Borkakoti


Srimanta Sankaradeva is generally remembered as a religious preceptor, who founded the Eka Sarana Nâma Dharma order. But that is not his only identity. His activities were not confined to the realm of religion alone. His activities were multi-dimensional. He contributed so many things to the society, or to be more precise to the humanity. He created many new things, new type of building structure, new social structure, new type of social management, new educational system, new food, new health care, new musical instrument, new music, new dance form, new form of play, new form of textile art, new form of painting and so on. There was innovation in almost all his activities. Very often he did not follow the beaten track. He charted his own path. His new path was always so attractive and suitable that people soon started to follow him in the new path.... more

by Dr Arshiya Sethi


The Sattras were born out of the Bhakti movement as it came to Assam. Like the Bhakti movements in many other parts of India, the Bhakti movement in Assam, called the Eka Sarana Nama Dharma, had a creative audio visual aspect for its propagation. Through his creative genius Sankaradeva was able to mould the Cultural life of Assam. The epicenter of the cultural life of Assam was the Sattra, which for five centuries has been the crucible of the Sattriya cultural tradition.  ... more

by Dr Sanjib Kumar Borkakoti

 

India is a great country with great cultural wealth. But her enormity also means that dimensions of all her problems also happen to be very big. Her social system has been such that from time to time it has required the service of great reformers to do away with the undesired accumulations. Srimanta Sankaradeva and Swami Vivekananda were two such great reformers who redeemed the then societies of unwarranted growths. They had different approaches to the socio-religious problems, but had many common grounds, which make interesting reading. They are two rare religious leaders who made clear statements on the Chaturbarna system and its negative impact on the Indian society. Their concerns remain valid even now, long after they have passed away from the scene. ... more

Dr Sanjib Kumar Borkakoti

Art is a way of expressing one’s ideas in aesthetically appealing forms. These include sculptures, paintings, masks, carvings, murals, illustrations etc. It was therefore quite natural that Srimanta Sankaradeva, the father of Assamese literature and culture used this medium to a large extent for his proselytizing activities.... more
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